The “From Folklore to World Music” Colloquy takes place traditionally at the end of July, within a week-long Folk Music Holiday festival in Náměšť nad Oslavou, Czech Republic. The colloquy was launched in 2003, was repeated after a year-gap in 2005, and since 2007 it has been organized each year. Over the years, the colloquy has become a household name within the festival: not only because of its structured programme, but also for the core of its regular presenters and even for regularly attending visitors, though their number keeps increasing every year. The colloquy scope is quite wide; it invites presentations and discussion on ethnic music, traditional folk music, contemporary folk music, and world music. The speakers come both from a scholarly environment, and from music media: they are ethnologists, ethnomusicologists, ethno choreologists, musicologists, and aestheticians, as well as editors and writers, and quite often musicians as well. In fact, the meeting in one room of professionals from two opposite sides of the music field was the original intention of the colloquy founders. The theme of the colloquy differs each year (because it is related to the theme of the festival), but the attendees are united in their aim to discover all possible aspects of music “from folklore to world music”, to discuss it and to present their own special interest within the theme. Each year, presentations from the colloquy are published in a reviewed volume, which is available both in paper and electronic forms.
The 21st international colloquy on folk music, modern folk music, ethnic music and world music
From Folklore to World Music: Paths of music in generations
Náměšť nad Oslavou, July 29 – August 1, 2024
Preliminary program of the colloquy
Tuesday July 30, 2024
9.30 – 10.00 registration (attic of the City Office in Náměšť nad Oslavou (Masarykovo nám. 104) CHANGE!)
10.00 – 10.10 introduction
10.10 – 10.25 Bernard Garaj: Generačný a mimogeneračný aspekt ako determinant udržiavania a rozvíjania hudobnej tradície v minulosti a súčasnosti
10.30 – 10.45 Marta Ulrychová: Chebsko – region zaniklých, mizejících a oživovaných tradic
10.50 – 11.05 Juraj Hamar: Premeny tradície v muzikantských rodoch v Terchovej
11.10 – 11.30 break
11.30 – 11.45 Radvan Markus: Sessiony a kapely: tradice a inovace v irské hudbě
11.50 – 12.05 Matěj Kratochvíl: Zmražené generace: Umělá inteligence jako nositel(ka) tradice
12.10 – 12.25 Iivi Zájedová: Cesta hudby napříč generacemi na příkladu festivalu písně v Estonsku
12.30 – 14.00 break
14.00 – 14.15 David Livingstone: Příští generace: Peggy a Mike Seegerovi
14.20 – 14.35 Matthew Sweney: Čert ví (kdy kotvy zvednem)? Mapování cesty sea shanteys v generacích
14.40 –14.55 Lee Bidgood: a New Generation of Bluegrass-Related Czech Comics
15.00 –16.00 discussion
Wednesday July 31, 2024
10.00 – 10.15 Jiří Moravčík: Zakaria Ibrahim: Pyramida egyptské tradiční hudby
10.20 – 10.35 Milan Tesař: Vliv otců na tvorbu a kariéru současných hvězd world music
10.40 – 10.55 Petr Dorůžka: Reedice archivních nahrávek, detektivní práce v hudební historii
11.00 – 11.20 break
11.20 – 11.35 Aleš Opekar: Ryvologie. Díky čemu byly trampské písně skupiny Hoboes vnímány jako moderní?
11.40 – 11.55 Jarmila Procházková: Půlstoletí obecné a individuální zpěvnosti v zrcadle hudebních aktivit Marcely T. z Třebíče (příkladová studie)
12.00 – 12.20 Milan Zeibert: Hned se ti budu věnovat aneb Kantor jedné generace
12.30 – 14.00 break
14.00 – 16.00 seminar, discussion
© 2024